Fergie and Josh Duhamel: The Real Reason This Celebrity Couple Split Up Michelle Kapusta More Articles 20 March 2018 was a year in which several popular couples called it quits. Among them were Fergie and Josh Duhamel, who on Sept. 14, 2017 revealed they had split after eight years of marriage. With the sad announcement the singer and actor shocked everyone, and left fans asking what went wrong. After all, every time anyone asked, they always seemed to gush about each other, but just a few days before going public with their breakup, Fergie appeared nervous as she avoided answering questions about having more kids with Duhamel. We now understand why.
1. Fergie and Duhamel separated Singer Fergie and actor Josh Duhamel Charley Gallay / Getty Images for Tom Ford in February 2017
Although the couple officially announced their separation in September 2017, the pair’s joint statement made it clear that they actually split months before the news was revealed to the public. Although the former couple did not give an exact time when they broke up ET confirmed splitting in February 2017. Next: The split is liable for a couple of reasons. 2.
Their discrepancies led to the split
Aramide Tinubu More Articles 13 November 2018 Marvel genius Stan Lee spent his life giving us heroic characters to look up that had similar shortcomings and insecurities trials. Having worked his way up from an assistant Lee, Way back in 1961 co-founded Marvel Comics with his co-creator Jack Kirby. The pair created famous superheroes such as the Spider-Man Black Panther The Incredible Hulk X-Men Iron Man and The Avengers together. Lee was also involved in the Marvel Cinematic Universe from 1989 to 2018 and appeared in every single Marvel movie. Lee passed away at the Cedars-Sinai Medical Center in Los Angeles California on November 12, 2018 but until the very end he was intricately interested in Marvel. So which Marvel superhero of his own creation has Lee most associated with? Look at this post on Instagram I owe it all to you Rest In Peace Stan … # MCU # Excelsior # legend # rip # stanlee # TeamStark A post shared by Robert Downey Jr. (@robertdowneyjr) on November 12, 2018 at 11:26am PST Iron Man Relatable characters The reason we identify with Marvel Comics and Cinematic Universe characters is because Lee made them as relatable and believable as possessive. He had seen DC Comics Superman and Batman reign supreme in the 1950s and 1960s. Instead of competing directly with DC Lee tried to create complicated and nuanced characters. He revealed to Yahoo! “The usual identity of the character” must be someone the reader can relate to and must be credible. I don’t think a reader would like a superhero if his usual identity were a lazy individual if he didn’t have any particular personality problems. I always thought about Superman that way: Clark Kent was just a reporter boy. Yet I t knew where Clark Kent was staying what his issues were. A superhero or superheroine’s own personal life is very important. And that should be connected to the superpower in some way. Though the world and the entertainment industry have certainly lost the creations of an icon Lee will continue to live on until the end of time. Like its parent J.C. Tell TMZ: My dad loved all his fans. He was the greatest decent man. We see him again Excelsior, until the next MCU film is released! Each Marvel character gets back now that Disney Bought Fox7/7.730 7/7.730 Source: October Universal and that means one thing: Oscar season. The end of the year is when most studios release their best movies aiming to generate sufficient excitement and momentum heading into nominations for the Academy Award. Universal’s new optimistic Oscar came in the form of 85 per cent Rotten Tomatoes awarded an A-list cast and a proven creative team in director Danny Boyle and writer Aaron Sorkin set it up to be an easy audience sale. Then, to the horror of just about everyone in Hollywood, Steve Jobs dropped flat on his face. Should we be taken aback? Hey and no. Yes for all of the reasons listed above. The average moviegoer is a wee bit drained by anything to do with work “for all intents and purposes and it’s hard to argue on the basis of the results we see again. Let s dig in the numbers, then. The 2013 Ashton Kutcher-led Jobs won $6.7 million in their opening weekend, and was generally considered a sub-par effort. A far superior Steve Jobs film narrowly managed to beat out its predecessor two years later scoring only $7.2 million. A studio searching for the next The Social Network learned the hard way not every tech giant biopic written by Aaron Sorkin is a slam dunk. The Social Network was a biopic of an ongoing story about a subject we knew very little about for the most part. Steve Jobs still has time to return his $30 million budget once it gets a release from overseas, but for now we’re all left to wonder why no one in the U.S. wants to see this film. Steve Jobs could very well have been ruined by its limited release in terms of release schedule. It’s a tactic commonly used by studios to build a small critical buzz before a movie hits theaters nationwide but it backfired terribly in this case. Instead what ended up happening was a two-week lull where people were fully aware that in some capacity the film had been released. By the time the buzz had worn off, it went wide, and Steve Jobs was certainly off our collective radar. When Oscar anticipation starts to ramp up Universal will in the coming weeks have some campaign ammunition for a second push. Even so the fall release schedule is full of competition including deals such as Spectre (November 6) Trumbo (November 6) and The Hunger Games: Mockingjay Part 2 (November 20). The tsunami of box office hits makes it an uphill climb for Steve Jobs and acts as a warning for the tech industry’s potential biopics: if you’re going to tell somebody’s story make sure it’s not already published. Mojo box office. @NickNorthwest More from Tv Cheat Sheet:
Could the Latest Steve Jobs Film be Next? The 2015 (So Far) 5 Best and Worst Films of the Most Anticipated Upcoming Superhero Movies Horror Movies You Have to See: 5 Great Haunted House Flicks
7/7.730 7/7.730 Source: October Universal and that means one thing: Oscar season. The end of the year is when most studios release their best movies aiming to generate sufficient excitement and momentum heading into nominations for the Academy Award. Universal’s new optimistic Oscar came in the form of 85 per cent Rotten Tomatoes awarded an A-list cast and a proven creative team in director Danny Boyle and writer Aaron Sorkin set it up to be an easy audience sale. Then, to the horror of just about everyone in Hollywood, Steve Jobs dropped flat on his face. Should we be taken aback? Hey and no. Yes for all of the reasons listed above. The average moviegoer is a wee bit drained by anything to do with work “for all intents and purposes and it’s hard to argue on the basis of the results we see again. Let s dig in the numbers, then. The 2013 Ashton Kutcher-led Jobs won $6.7 million in their opening weekend, and was generally considered a sub-par effort. A far superior Steve Jobs film narrowly managed to beat out its predecessor two years later scoring only $7.2 million. A studio searching for the next The Social Network learned the hard way not every tech giant biopic written by Aaron Sorkin is a slam dunk. The Social Network was a biopic of an ongoing story about a subject we knew very little about for the most part. Steve Jobs still has time to return his $30 million budget once it gets a release from overseas, but for now we’re all left to wonder why no one in the U.S. wants to see this film. Steve Jobs could very well have been ruined by its limited release in terms of release schedule. It’s a tactic commonly used by studios to build a small critical buzz before a movie hits theaters nationwide but it backfired terribly in this case. Instead what ended up happening was a two-week lull where people were fully aware that in some capacity the film had been released. By the time the buzz had
worn off, it went wide, and Steve Jobs was certainly off our collective radar. When Oscar anticipation starts to ramp up Universal will in the coming weeks have some campaign ammunition for a second push. Even so the fall release schedule is full of competition including deals such as Spectre (November 6) Trumbo (November 6) and The Hunger Games: Mockingjay Part 2 (November 20). The tsunami of box office hits makes it an uphill climb for Steve Jobs and acts as a warning for the tech industry’s potential biopics: if you’re going to tell somebody’s story make sure it’s not already published. Mojo box office. @NickNorthwest More from Tv Cheat Sheet:
Could the Latest Steve Jobs Film be Next? The 2015 (So Far) 5 Best and Worst Films of the Most Anticipated Upcoming Superhero Movies Horror Movies You Have to See: 5 Great Haunted House Flicks
Katherine Webb More Articles June 12, 2017 Horror movies have a great way to tap into this primal fear. Either based on true stories or a complete figment of the author’s imagination films about haunted houses were built to chill us to the core. Here are five classics that are guaranteed to keep you tuned for things that are going wrong in the evening.
1. The Amityville Horror (1979)
7/7.731 7/7.732 Poltergeist SLM Production Group Forget about the recent remake “this Tobe Hooper classic is all you need to experience the full horror of paranormal home invasion. Upon reaching theaters in the early 80s, Poltergeist was revolutionary in its special effects. But the gutsy performances from its strong cast are what really made this film unforgettable. Steve and Diane Freeling (Craig T. Nelson and JoBeth Williams) will stop at nothing to return her to safety after their daughter Carol Anne (Heather O Rourke) mysteriously vanishes inside her parents home. They even venture into a different dimension to do so. While other haunted house movies rely on ghosts and other spectra to provide the scares in Poltergeist, it often seems like the house is targeting the Freelings themselves. And that fact alone makes it one of the most scary haunted house movies of all time. 3.
The Others (2001) 7/7.733 7/7.733 The Others Canal+ A recently widowed devoted Catholic and her infirm children live in solitary confinement in their sprawling, desolate English house. As they’re coming out of the end of World War II, they’re followed by a series of scary occurrences that she can’t explain even as they’re getting increasingly frightened. The Others succeed in doing what few other films in the genre have accomplished “it sets a perfectly chilling mood which leaves you on the edge of your seat preferring suspense over scares. It’s in the fog the flickering light the scary kids and the incredible performance of Nicole Kidman as Grace the mother desperately tries to keep the rest of her family together. All these elements together make The Others one of the most captivating and cleverly plotted haunted house movies ever made.
7/7.734 7/7.734 Ju-On: The Grudge Pioneer LDC This Japanese thriller’s American remake is fine. However, we favor Ju-On’s original incarnation: The Grudge for its subtle storytelling. The movie opens with a sinister bit of information: a curse is born when someone dies in the grip of a mighty rage. After a young husband in their home kills his wife and child the curse is placed on a number of people including the Tokunaga family’s new owners and naive social worker student Rika Nishina (Megumi Okina). Through revealing how the ghosts are constantly haunting Ju-On’s home horror: The Grudge thinks it’s never going to end. 5. Insidious (2010)
7/7.735 7/7.735 Insidious IM Global Insidious is so full of creepy imagery and horrible moments that it keeps the adrenaline flowing long after the film is over. The film chronicles a series of horrific events from new horror aficionado James Wan that arise after Josh (Patrick Wilson) and Renai (Rose Byrne) move their three children into a new home. Entertainment Cheat Facebook Cover!