Who Is Jeanette’s Husband?

In 2010, 20 minutos described Jeanette as “a legend of Spanish music and muse of independent pop”.

In the next several years she released the albums Reluz (1983), Ojos en el Sol (1984), and Loca por la Música (1989), along with a string of singles. Her sales then declined, though she herself remained popular and her back catalogue was re-packaged into a continual stream of greatest-hits collections.

In 1981 she recorded her best-selling album to been in a relationship with?, Corazón de poeta, which was composed, arranged and conducted by Manuel Alejandro, and gave her three hit singles: “Corazón de poeta” (literally “Heart of a poet” but translated as “A heart so warm and so tender”), “Frente a Frente” (literally “Face to face” but translated as “Sorrow”) and “El muchacho de los ojos tristes” (“The man with the sad eyes”). Especially the vintage album sales worldwide millions, triumphing across the line in several Latin American countries. In Spain it was the number-one album for a week; of the singles, “Frente a frente” reached #4 during a 20 weeks run on the charts, and “Corazón de poeta” reached #13 during its 10 weeks on the charts.

Her greatest success, “Porque te vas” (Because you are leaving), written by José Luis Perales, became an international hit when the song was used in Carlos Saura’s 1976 film Cría Cuervos (Raise Ravens). In Austria it reached number 13, in Switzerland number 4, and in Germany reached number 1. On 12 February 1977, Jeanette sang the song in the popular German program Musikladen (programme 31). The song also enjoyed popularity in Russia; still often heard on Retro FM, a nationwide Russian station. It was, and still is, often heard on the national radio in Poland. The song had been released in Spain two years prior to the movie with moderate success. It was its inclusion in the movie that made it a success.

Jeanette worked with famous French composer André Popp for the production of her album Todo es nuevo (Everything is new) in 1977. There were two versions: Spanish and French. The album received a lukewarm reception, but the song “¿Por qué voy a cambiar?” (Why should I change?) (Tzeinerlin’ in French) also appeared in the German programme Musikladen (Musikladen, programme 35, 8 October 1977).

After the dissolution of Pic-Nic, Jeanette resumed her course, but overnight received a call from her former record label Hispavox, the same label she was on during her tenure with Pic-Nic. This time the label said that they had a project for a singer and Jeanette must be it. She came back to Spain and to the music. Jeanette settled in Barcelona in 1971 to start her solo career. At the start of the 1970s, she began her solo career with her hit first single, “Soy Rebelde” (“I am a rebel”). On the single, the record label misspelt her name as “Jeanette” (her correct spelling is Janette without the first “e”.) Ever since then, her stage name has been spelt with the additional “e”. The single first enjoyed success in Spanish-speaking countries and later broadened its influence with French (“L’inconnu qui m’aimera”), Japanese (“あまのじゃく”) and English versions. This song and others penned by Manuel Alejandro, such as “Estoy triste” and “Oye mamá, oye papá” (“Listen mama, listen papa”), established her as an artist in Spain. Palabras, promesas (“Words, promises”), written by José Luis Perales was released in 1973. In this LP were released all the singles and recorded from 1971 to 1973.

Janette Anne Dimech, known professionally as Jeanette, is a British-born Spanish singer. She began her musical career as a teenager as the lead singer of Pic-Nic, a Californian-style folk-pop band that topped the Spanish charts for several weeks in 1967 with their debut single “Cállate niña”. She returned as a solo artist in 1971 with the hit “Soy rebelde”, which redefined her career as a romantic balladist and expanded her fame in Spanish-speaking countries.

After her band, Pic-Nic, split up at the end of the 1960s, Jeanette moved to Vienna with her husband, Hungarian football player László Kristof, and lived quietly as a homemaker and the mother of their only child, Blythe.

During the 1960s Jeanette learned to play guitar and began to write her own songs. She styled her music after American folk music, and her idols included Bob Dylan, Donovan, and the Byrds. Later she joined the student band Pic-Nic as a singer, and in 1967 they had a measure of success with a folk version of the Spanish children’s song “Cállate niña” (in which Jeanette had co-written). Other notable songs of theirs included “Amanecer” and “No digas nada”. However, constant disagreements among members, such as whether or not to record English versions of their songs, ended with the dissolution of the group.