Raimi He began experimenting with film at a very young age. In his teens, he was already an active member of a circle of amateur actors and directors in the Detroit area. Among this group were his brother Ted and aspiring actor Bruce Campbell, both of whom became fundamental products of the productions of Raimi.
In 1977 Raimi enrolled at Michigan State University where he produced the 8mm films The Happy Valley Kid (1977) and It’s Murder (1977). These modest efforts provided valuable experience to Raimi and his associates, and his next project, the short film Within the woods (1978), served as proof of what would be his most famous work, The evil dead (nineteen eighty one).
The cult hit of The evil dead brought in producer Dino De Laurentiis to fund a sequel, and Evil Dead II (1987), nevaly featured Campbell returning in the title role.
Raimi experimented with the superhero genre in Darkman (1990) before completing the Evil Dead trilogy with Army of Darkness (1992). He co-wrote the comedy The Hudsucker Proxy (1994) by the Coen brothers and created the television series MANTIS. (1994-97) before returning to the director’s chair with the western The Quick and the Dead (nineteen ninety five). The following projects by Raimi, the crime drama A Simple Plan (1998) and the baseball romance, For the Love of the Game (1999), they were stylistic departures, but the first was a critical success, garnering a couple of Academy Award nominations.
Raimi experienced its biggest box office success with a trio of films that marked a new wave of Hollywood interest in comic book adaptations. Spider-Man (2002), the story of a crime fighter who derived his superhero power from a radioactive spider bite, was a critical and commercial success. It spawned a couple of sequels, Spider-Man 2 (2004) and Spider-Man 3 (2007); the trilogy grossed approximately $ 2.5 billion worldwide.
Raimi revisited the horror genre with Drag me to hell (2009) and directed the big budget family adventure film Oz the Great and Powerful (2013). Although it was a critical disappointment, the interpretation of Raimi on the myth of L. Frank Baum was a hit with the public. That same year, he produced Evil dead, a remake that replaced the bloody absurdity of the original film with brutally depicted violence, more typical of 21st century horror offerings.