Around 1914 the heteronyms appeared Alberto Caeiro, Ricardo Reis and Álvaro de Campos. Heteronyms are fictitious authors (or pseudo-authors), each with their own personality: their “creator” is called an orthonym. The first fictional character of Pessoa It is from the period of his childhood, the Chevalier de Pas, through which he wrote letters to himself, as stated in the letter of heteronomy in Casais Monteiro.
Then followed a period in which Pessoa He was attracted to esoteric and theosophical interests that were profoundly influential in his orthonymous work. 1920 is the only sentimental adventure in the life of the poet. Her name was Ofelia Queiroz, employed in one of the import and export companies for which Pessoa works. After a hiatus of several years, the relationship between the two finally ended in 1929.
In an interview with a newspaper in the capital in 1926, after the military coup that ended the parliamentary republic and paved the way for the Salazarian regime, Pessoa began to expose his theories of “Fifth Empire“, consisting of the updating of the prophecies of Bandarra (the shoemaker of Trancoso) written in the first half of the 15th century; according to these prophecies, King Don Sebastián, presumed dead in 1578 in the battle of Alcazarquivir, in body and soul would once again establish a kingdom of justice and peace. This is the “Fifth Empire”, to which Portugal would be predestined according to Pessoa. This empire would have a purely cultural and not military or political character like the classic empires of the past.
“Message“(Message) is the title of the only collection of poems in Portuguese prepared personally by the poet; published in 1934, it won a government prize of 5,000 escudos. The work includes writings on theology, occultism, philosophy, politics, economics and other disciplines .
Many are also the musical artists who were inspired by the work of Pessoa: among them the Brazilian singer Caetano Veloso.